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Notable Sales

Anthropomorphic Reliquary Head, Añgokh-Nlô-Byeri, Unidentified Fang Artist, Gabon


Anthropomorphic Reliquary Head, Añgokh-Nlô-Byeri

Unidentified Fang Artist, Gabon


Wood, metal alloy, palm oil, organic material


H: 67cm

 

PROVENANCE

Acquired by Marie-Joseph Blache between 1902 - 1907
Private Collection, France, thence by descent, 2023

Cole Harrell, New York

 

CF

Warnod (André), Arts decoratifs et curiosites artistiques, Paris: Comoedia, 2 January 1912:151, 201


Evans (Walker), African Negro Art-A Corpus of Photographs by Walker Evans, New York:

The Museum of Modern Art, 1935: WE 321-322


Christie's, London, African Art from the Collection of the late Josef Mueller, 13 June 1978, lot 136


Piasa, Paris, 23 October 1996, lot 212


Sotheby's, Paris, Collection Viviane Jutheau, Comtesse de Witt: Au Coeur des Arts d’Afrique,

14 December 2016, lot 16

 

Sold to a Distinguished Private Collection, Paris, 2023

Wifredo LAM (1902-1982), Untitled, circa 1950

Wifredo LAM (1902-1982)

Untitled, circa 1950

Oil on canvas

73 x 54 cm

PROVENANCE

Acquired directly from the artist around 1954 by the current owners, Mr. and Mrs. Alice Pole-Woods.

- Estate of John and Alice Pole-Woods

Cole Harrell, New York 

Sold to a Distinguished Private Collection, USA, 2022

Anthropomorphic Female Headdress, D’MBA YAMBAN , Identified Baga Artist, Guinea

Anthropomorphic Female Headdress, D’MBA YAMBAN

Identified Baga Artist, Guinea
Wood, organic pigment
H: 104cm

PROVENANCE

Almost certainly acquired in situ by Emil Storrer (1917-1989), Zurich, circa 1950

Almost certainly Julius Carlebach, New York
Private Collection, Detroit, Michigan, acquired circa 1970
Private Collection, Michigan, thence by descent

Cole Harrell, New York

CF

Fine Arts Museum of San Francisco, San Francisco, CA, inv. 2008.38.17 (gift of the Erle Loran Family Collection) Kreeger Museum, Washington, D.C. (acquired from Julius Carlebach, 1968; acquired in situ by E. Storrer, 1952) Museum Rietberg, Zürich, Switzerland, inv. RAF 7 (acquired in situ by Emil Storrer, 1952)

Sold to a Distinguished Private Collection, Brussels, 2024

 

Anthropomorphic Female Face Mask, TANKAGLE or DEANGLE, Unidentified Dan-Yacouba Artist, Cote d’Ivoire

Anthropomorphic Female Face Mask, TANKAGLE or DEANGLE

Unidentified Dan-Yacouba Artist, Cote d’Ivoire
Wood, metal alloy, pigment, fiber, organic material
H: 22cm

PROVENANCE

Merton D. Simpson (1928-2013), New York, NY, acquired 18 April 1964
Collection of William Brill (1918-2003), New York, NY, acquired from above before 1978, inv. 82

Private Collection, New York, NY, thence by descent, 2003
Sotheby's, New York, The William W. Brill Collection of African Art, 17 November 2006, lot 33

Lance Entwistle, London/Paris, UK/France, acquired at the above sale
Cole Harrell, New York, acquired from the above, 2017

LITERATURE

Lehuard (Raoul), La collection William Brill, in Arts d'Afrique Noire, no.26, Arnouville, 1978:22 Robbins (Warren M.) and Nooter (Nancy Ingram), African Art in American Collections,
Survey 1989, Washington/London: Smithsonian Institution Press, 1989:160, #298
Robbins (Warren M.) and Nooter (Nancy Ingram), African Art in American Collections, Pennsylvania: Schiffer Publishing, 2004, #298

Sold to the Beast Collection, Montréal, Canada, 2017

Anthropomorphic Standing Power Figure, NKISI NKONDI, Unidentified Kongo-Vili Artist, D.R. Congo, Loango Coast

Anthropomorphic Standing Power Figure, NKISI NKONDI

Unidentified Kongo-Vili Artist, D.R. Congo, Loango Coast

Wood, metal alloy, rotan, glass, pigment, organic material

H: 59cm

PROVENANCE

Acquired in situ by Mr. Mugnier while working as an engineer for the Mayumbe Railroad, 1936-1939 Mugnier Family Collection, France, thence by descent
Cole Harrell, New York

CF
Rijkmuseum voor Volkenkunde, Leiden, Netherlands (inv. RV-2668-888) Sotheby’s, Paris, 8 June 2007, lot 248 (Bronson Collection, Los Angeles)

 

Sold to a Distinguished Private Collection, New York, 2021